“Building Landscape and Landscape as Worldbuilding: Animal Logic, National Identity, and “Local Hollywoods” in the Digital Era.” Forthcoming in Media Industries.
“Guilt and Migrant Experience in Australia: Narratives of Happiness and Hatred.” Continuum 37, no.1 (2023): 46-60.
“Contaminations of Past and Present in I racconti di Canterbury.” Different Visions: New Perspectives on Medieval Art 7 (2022): 1-39.
“The Studio and the Song: Synergy and Self-Mythology in Bohemian Rhapsody (2018) and Mary Poppins Returns (2019).” Historical Journal of Film, Radio, and Television 42, no.4 (2022): 728-748.
“Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing.” Music, Sound, and the Moving Image 14, no.1 (2020): 3-21.
“The United Artists Collection: The Acquisition and Contested Value of Archival Materials.” Moving Image 20, no.1-2 (2020): 186-207.
Conference Papers & Invited Talks
“Embodied Landscapes: Multisensory Aesthetics and Environmental Engagement,” Society for Cinema and Media Studies, Chicago, IL. 2025
“Jan Svankmajer’s Surrealist Landscapes and Narrative Space,” International Society for the Study of Surrealisms, Paris, France. 2024
“Building Landscape and Landscape as Worldbuilding: Animal Logic, National Identity, and “Local Hollywoods” in the Digital Era,” Media Industries, London, UK. 2024
“Immersed in Landscape: Ethics, Aesthetics, and the Technological Sublime,” Colloquium presentation, University of Wisconsin-Madison. 2023
“Framing Land: The Karrabing Film Collective goes to the Gallery,” Living the Land: Global and Local (Trans)formations, Graduate Association of French and Italian Students, Madison, WI. 2023
“Towards a Poetics of Virtual Landscape,” 19th International Symposium, Communications in the New Millennium, online. 2022
“Guilt and the Migrant Experience in Australia: Narratives of Happiness and Hatred,” The Data Galaxy: The Un-Making of Typographic Man, International Conference on Communications and Media Studies, online. 2021
“Creating Medieval Space: Chaucer/Pasolini and The Merchant’s Tale,” Early Mondern Land/scapes, Graduate Early Modern Student Society Symposium, online. 2021
“The Studio and the Song: Synergy and Self-Mythology in Bohemian Rhapsody (2018) and Mary Poppins Returns (2019),” Open Communication, International Communication Association, online. 2020
“Unearthing the United Artists Collection: The Contested Value of Archival Materials and the Production of Scholarship at the Wisconsin Centre for Film and Theatre Research,” Open Communication, International Communication Association, online. 2020
“It’s Not Gay, It’s Art: Pedro Almodovar and the Commercial Art Cinema Auteur,” Techno-storytelling: Past, Present, Future, Conference on the Image, Manchester UK. 2019
“Reframing Off-Screen Sound in La Chienne,” Spring 2018 Conference, Great Lakes Association for Sound Studies, Madison WI, April 2018.